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Cavern Fine art Reveals Aboriginal View of Cosmos
Some of the oldest fine art in the United States maps humanity'southward identify in the creation, as aligned with an ancient organized religion.
A team of scientists has uncovered a series of engravings and drawings strategically placed in open air and within caves by prehistoric groups of Native American settlers that describe their cosmological understanding of the world around them.
"The subject thing of this artwork, what they were cartoon pictures of, we knew all along was mythological, cosmological," Jan Simek, an archaeologist at the University of Tennessee said. "They draw pictures of bird men that are important characters in their origin stories and in their hero legends, then we knew it was a religious matter and because of that, nosotros knew that it potentially referred to this multitiered universe that was the foundation of their cosmology." [See Photos of the Drawings and Engravings]
Simek and his squad studied fine art from 44 open-air locations and 50 cave sites. The earliest depiction of this kind of cosmological stratification dates to around 6,000 years ago, but nearly of the fine art is more recent, from around the 11th to 17th centuries.
The researchers noticed that certain kinds of drawings and engravings only appear in specific areas of the plateau. For case, open-air spots in loftier elevations touched by the sun feature "upper world" artistic renderings that include depictions of weather forces, heavenly bodies and characters that can exert influence on humans.
"Lower world" drawings and engravings are found in dark areas like caves that are hidden from the sun. Usually, this layer of the world is associated with decease, darkness and danger.
The "centre world" is representative of the reality that surrounded prehistoric humans on a daily ground. These drawings were found in both open-air environments and caves, but for the near part, they were institute in the middle elevations of the plateau.
"This layered universe was a stage for a variety of actors that included heroes, monsters and creatures that could cross between the levels," Simek said in a statement.
Although depictions of many of the actors were found in low, high and middle elevations, colour relates the overall cosmological structure of the universe, Simek said. Characters drawn in red — the color of life — are constitute in college elevation sites, while black was used to depict figures found in the lower earth.
"The dominant things we see all together are human images, what we call anthropomorphs," Simek told LiveScience. "They're not all human being; some of them are clearly mythological people or people who blend creature and homo characteristics."
These depictions of the universe can also help inform an agreement of the mod world.
"It's a very common human conception that at that place are different levels of being and different levels of cognition and different levels of connectivity with the human status," Simek said. "I recollect all people at one level or some other practice that."
Follow Miriam Kramer on Twitter and Google+ . Follow us @livescience , Facebook & Google+ . Original article on LiveScience.com.
Miriam Kramer joined Space.com every bit a staff author in December 2012. Since then, she has floated in weightlessness on a zippo-gravity flight, felt the pull of 4-Gs in a trainer aircraft and watched rockets soar into space from Florida and Virginia. She also serves as Space.com's lead space amusement reporter, and enjoys all aspects of space news, astronomy and commercial spaceflight. Miriam has besides presented infinite stories during live interviews with Fox News and other Tv set and radio outlets. She originally hails from Knoxville, Tennessee where she and her family would take trips to night spots on the outskirts of town to spotter meteor showers every year. She loves to travel and one twenty-four hour period hopes to see the northern lights in person.
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Source: https://www.livescience.com/37812-cave-art-reveals-ancient-view-of-cosmos.html